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工作信息
PUMA
Senior Manager Manufacturing Operations Footwear
正式员工 · Guangzhou
上海慕裁服饰有限公司
服装设计总监
正式员工 · 上海
L'OREAL GROUP
South Apac Accounting Manager
正式员工 · Shanghai
L'OREAL GROUP
Accounting Process Manager / Senior Manager
正式员工 · Shanghai
L'OREAL GROUP
Sap Security Manager-IT Apac
正式员工 · Shanghai
L'OREAL GROUP
Product Manager-Mny
正式员工 · Shanghai
L'OREAL GROUP
bi&Analytics Senior Project Manager
正式员工 · Shanghai
L'OREAL GROUP
Apac IT Sales & Marketing - Project Manager
正式员工 · Shanghai
L'OREAL GROUP
Trade Marketing Manager-Tmall, Nyx
正式员工 · Shanghai
L'OREAL GROUP
Big Data Solutions Manager-IT Apac
正式员工 · Shanghai
L'OREAL GROUP
(Assistant) Data Quality Manager
正式员工 · Shanghai
L'OREAL GROUP
Business Analyst
正式员工 · Shanghai
L'OREAL GROUP
Purchasing Ass. Mgr- Digital Content
正式员工 · Shanghai
L'OREAL GROUP
Sales Supervisor,Yuesai,Kunming
正式员工 · Kunming
L'OREAL GROUP
Trade Marketing am/Manager, Mny
正式员工 · Shanghai
L'OREAL GROUP
Key Account Manager/am, Wts, Cpd
正式员工 · Shanghai
深圳市欧莎世家服饰有限公司
服装设计总监
正式员工 · 深圳
广东树业文化创意策划有限公司
服装设计总监
正式员工 · 广州
广州潮型库互联网科技有限公司
潮牌男装服装设计经理
正式员工 · 广州
广州尚田秀时装有限公司
服装设计经理(女装)
正式员工 · 广州
佛山市梦亦同趣纺织科技有限公司
服装设计经理/总监
正式员工 · 广州
L'OREAL GROUP
Assistant Packaging Manager(Luxury Division)
正式员工 · Shanghai
首页 > 时尚录像 > Key Fashion Moment: 2015 : The Vetements phenomenon

Key Fashion Moment: 2015 : The Vetements phenomenon

access_time 00:02:29

In 2015, the label vetements exploded. after a year’s existence, the brand was already sold in around forty retail outlets in the world. they even invited themselves to paris fashion week for a late show at the famous ‘le dépôt’ nightclub with kanye west, already a client, sat front row. a house which would rather be a collective, is managed by two brothers, guram for the business side and demna gvasalia for the creative. the latter was already questioning the pace of fashion all whilst two seasons later becoming the artistic director of balenciaga. with interview of demna gvasalia :we thought about a generic name because we didn’t want to have personal names on it and the name vêtements which means clothing, it was the most literal and it was the most direct and clear explanation of what our creative values stand for and it’s really about clothes, we don’t want to do art or pretend to create some avant-garde or something new. every fabric that we approach, we always look for authenticity in it that it looks real and not created or fantasy, without added element. there is a lot of this kind of attitude approach when you wear the clothes, what it does, how it folds and in the end we just decided to take our own clothes that we wear and that we like and to just use those elements and to put it in the collection so the security shirt is the t-shirt, the real security t-shirt that i’ve been wearing for almost two years and then you have another print on the sweatshirt that comes from another person’s personal sweatshirt that this person was wearing. so it’s very much like that aspect, we just put some very personal elements into the collection and give them a new life. but it needs to find this new way of developing also creatively and maybe filtering and becoming slower rather than running as fast as possible because as a designer you’re in a situation whether you want it or not, every three months you have to come up with a great collection which is not really natural, i mean a designer needs time to think, to question it, to double question it etc, to make something that makes sense and that is credible at the end. so i think this whole time pays and the dynamic of fashion is about to take a different turn.